BÚSQUEDA
Unter Deutschen
This film not only illuminates Heiner Müller's life and works, it is more about questioning the "Sphinx" of the East and its saying about the...
Ich will nicht wissen, wer ich bin - Heiner Müller
On the run from her criminal Italian husband, a young French woman meets a German lover in West Berlin who offers her shelter but who also gets...
Keine Hand wäscht die Andere
Quoting from historian Tacitus' Annals, Alexander Kluge and Heiner Müller delve into the Roman Iron Age, talk about the modern style of Tacitus'...
At Work in the Ruins of Morality
This portrait of Heiner Müller on the occasion of his 60th birthday is devoted for the most part to having Müller recount events and...
Portrait of Heiner Müller for his 60th Birthday
In 1989, Heiner Müller staged an unabridged seven-and-a-half hour Hamlet, because in the process of German reunification "a leave-taking from...
Conversation with Heiner Müller in Garath
In this interview Müller and Kluge explore the East German’s memories of the final days of the war. The session is introduced by a clip...
Some Kind of Shadow Machines Were Passing by
"The metaphor is cleverer than the author" (Lichtenberg), a "screen," an "instrument for bundling" (Müller), because "everything changes so...
Heiner Müller on Legal Questions
Movie scenes, montages of images and text, as well as conversations between Alexander Kluge, playwright Heiner Müller and classicist Wilfried...
Rome, as Far Away as the Moon
At the time of the conversation Heiner Müller was the president of the Academy of Arts - East. At the beginning he describes his daily routine...
Every Frozen Structure has its Academy
In this conversation, taking place shortly after the German reunification, Alexander Kluge and Heiner Müller discuss historical developments...
“Wastage” of humans / Comrade Mauser / “Victim of History”
Kluge here presents a portrait of Friedrich the Great by means of quotations, film clips, historical images, and film documents. The program is a...
Frederick of Prussia
Here Müller and Kluge explicitly address a theme that is latently present in many of their conversations: the relation of intellectuals to...
Mind, Power, Castration
A news magazine program on important aspects of the history of postrevolutionary Cuba, consisting of two documentary film sequences about Castro and...
The Last of the Mohicans
Citing Nietzsche, Müller defines intellectuals as the "ploughshares of evil," whose task it is "to create chaos, to destroy conceptions of...
Plowshare of Evil
Citing Nietzsche, Müller describes the motive of the philologist as "greed," "simply wanting to have everything, grasp everything, know...
The Death of Seneca
Heiner Müller was invited to a conference in Japan on the fate of opera in the 20th and 21st century. He talks about his flight over Siberia and...
Anti-Opera
This "music magazine" is a montage of visually alienated historical film clips of tanks and soldiers (First and Second World War), pictorial...
Under the Sign of Mars
In order to justify interpreting the Oresteia as a representation of the "birth of democracy" (P. Stein), one has to repress a lot, for example the...
I Owe the World a Dead Person
The central topic of the interview is the ancient concept of a necessary balance between the dead and the living, which also assumes the notion of a...
The World is Not Bad, but Full
The title of the interview is from a line in a poem written by an American about the battle of Ypern in World War I: “My rendezvous with Death...
My Rendezvous with Death
One of Müllers's vocal cords was paralyzed as a result of a life-saving radical operation (1995). At the beginning of the discussion Müller...
The Voice of the Playwright
In this journal, Alexander Kluge and Heiner Müller talk about the dark side and the inevitability of democracy. Heiner Müller believes that...
Omnivore Democracy
The conversation begins on the topic of Müller’s plans for new plays. Müller tells us that he has promised to write a libretto for...
On the Way to a Theater of Darknesses
The horizon of this conversation is marked by Müller's personal memories, reflections about ongoing themes in his work, thoughts about his...
Queen of Hearts on Judgment Day
A few months before his death, Müller responded to the keywords "breathing" and "smoking" with an anecdote that interprets breathing as an...
He Who Smokes Looks Cold-Blooded
Müller describes Ovid's Metamorphoses, Golding's translation of which (1603) was one of Shakespeare's sources, as an encyclopedia of the Greek...
Heiner Müller in Time Flight
The discussion begins with the parable of a frog in boiling water. It comes from the book "Post-heroic Management: A Manual" by Dirk Baecker, which...
Epic Theater & Post-heroic Management
The point of departure for this discussion is the question of whether the collapse of the Soviet Union is dramatic material. Müller answers with...
The Poet as Metaphor Slingshot
Heiner Müller defines Stoicism as an attempt to deal with anarchy. For him, Erich Honecker is an example for "forced stoicism". Müller...
Rigor Was His Mark of Quality
Die Zeit ist aus den Fugen
Documentary by Thomas Heise filmed in East Berlin in 1987/88.
Der Ausländer
Robert Wilson and the Civil Wars is an in-depth documentation of Robert Wilson’s ambitious attempt to stage an epic, twelve-hour, multinational...
Robert Wilson and the Civil Wars
Kino 81